I’ve posted a couple more of my Proteus sketches, both unperformed male-female two-handers. Soul Music is a musical written from a female perspective, and Interview a sci-fi tale from a male.
Writing in the sci-fi genre you immediately come across the roadblock of how closely you adhere to the science part of the term. I’m not a scientist, and hesitate to declare much interest in it. I’ve used SFnal tropes in my work, most recently in this short piece, but mainly to highlight things about humans rather than exploring ideas. I’ve used time travel to talk about relationships, a robots to explore emotion, and so on, and will continue to do so. But I would like to address the science more closely in future, if only to avoid my current problem of magic machines. I’m not bothered about accuracy, but knowing more sparks more ideas, and thinking through the reality of your story is always encouraged.
However, I had the same problem with both pieces. I struggled to convey what I wanted to see on stage in script form. Also, if you peruse my short stories section you will find you cannot peruse the short stories section because none are posted. I’ve only finished one in the past six months and we’ve already covered that. I’m far too used to writing in play format and, further, having ideas for that form. It’s as if a short story section of my brain has shut down and the output has been replaced by the sketch factory.
I’m fairly busy from now until, well, the 24th of June, but I hope this only means my output will increase in true procrastination style. This is the first time I’ve had a blog I’ve needed to update, so prospects are good for at least getting three posts a month, more if they’re all as short as this.
This week, we have an interview with James Bloomfield, leading man, to give you an impression of what it’s like working with us, and to prove the madness is shared.
jamesdavidward.com 
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