Little Women is only a brilliant film if you want to cry all the way through it. It’s a very undignified experience. (I’ve been reading bits of the script, put online to help with Oscars nominations, and I’ve been tearing up reading that. Complete and utter shambles.) Awards are nonsense, but it deserves all the awards.
As a quick addendum to my previous post, I got Yooka-Laylee and the Impossible Lair for free from the Epic Games launcher, so I’ve been playing it a bit. I played through a bit of the previous game, which was a Banjo-Kazooie-inspired 3D platformer, and had some fun until I drifted, as I often do with video games.
I’ve been trying to review more things, just because it’s good for the old brain. There’s plenty of words available on Bond at the moment, and this one wanders around a bit, but you might find it interesting.
Perhaps you can review Daniel Craig’s Bond films simply by looking at the theme songs.
A rather lengthy post because all my friends love Frozen and I have mixed feelings. Spoilers, probably.
I’m a big fan of Disney films. I’ve seen a lot of them (though thanks to primarily those ’40s compilation films, not all) and tend to have sussed out what I like and what I don’t. There’s been a lot of development over the 75 or so years since Snow White and the Seven Dwarfs, but there’s definitely a thread from which you can split the good stuff from the less so. And while I reckon Frozen is good – it’s hilarious and enjoyable, and hopefully a sign of a continued resurgence in the general quality Walt Disney Animation Studios films – I don’t think it stands up to the best, and even pales in comparison with its most immediate predecessors.
I occasionally run a little “Inspirations” section under a blogpost to share what stuff I’m interested in or enjoying, because sooner or later what goes in will show up in what comes out. Plus, any chance to send people towards good stuff is one that should be taken up. This is a massive version of that sort of thing. I go on a bit, because it’s my blog and I’m allowed to.
I include old stuff that I’ve discovered this year, since this is the Internet age and it doesn’t really matter when something is released. I don’t really watch TV, so that’s out. As for theatre, I’ve seen quite a few shows this year (more than one, which is a lot for me), mainly at the RSC. None of them have moved me enough to produce an actual list, but the RSC productions of A Mad World, My Masters, All’s Well That Ends Well, and Wendy & Peter Pan were particularly good.
Obviously, this isn’t a decree, it’s a conversation. Tell me I’m wrong, what I’ve missed, what I’d like, what I have to look forward to.
You’re probably owed an explanation of what else I’ve been up to creatively apart from Nando’s, but sadly the answer to that is not much. Rehearsing a musical somewhere you don’t live, setting up a multiplatform writing partnership, attempting to escape graduate unemployment, and readjusting to the family home and its pets and schedules, plus god knows what else, has very much taken up the available brain space that I would prefer to use for creativity. As such, not much is getting done, I’m afraid.
Hello again. My brief life update is that my collaboration Nando’s and Nandon’ts recieved its second draft performance at the Y Theatre, Leicester, which was enormously helpful, and I look forward to working it up into a full piece with Will Breden. Also, DSMing Curve Young Company’s The Tempest turns full-on on Monday, as tech/show week starts! Strange to think exactly a year after the Shakespeare Marathon (if I didn’t write about it this time last year prod me for details), I’m doing another many-hours Bard project.
For this entry I thought I’d go a little more into what I’ve been putting into my brain, since it will out itself eventually in my writing. Also, I have many thoughts about some things. I’m going to look at a book, a comic, and a film. Then there’s a poem I happened to write for those who scroll to the end. UPDATE: I’ve also renovated the poetry and prose sections.
A quick update – the work for The Ripple I mentioned a while back has basically culminated in this one album review. It’s only a hundred words in print, but longer here. I’m currently mulling over whether the investment was worth the result. At this moment, I’m not feeling it.
Lower Than Atlantis – Changing Tune
2012 has been set up to be Lower Than Atlantis’ year in the realm of small-to-medium sized UK rock bands. Their first ever headline tour sold out entirely via pre-sale. Radio One guru Zane Lowe had been a fervent advocate of the Watford quartet for a good twelve months. They signed a deal with Island Records making them labelmates with such eclectic and superstar artists as Tori Amos, Mariah Carey, Justin Bieber and Psy (yes, Gangnam Style). Promises are tricky fiends, however, despite all the hype their forthcoming album exuded.
LTA’s first two full-lengths are modern British rock gems. Far Q took the hardcore stylings of early work and melded it with a heavy Foo Fighters alternative influence – the British tend to do things with more grit than Americans. Rough around the edges, this latter style emerged fully-fledged from chrysalis on…
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I didn’t necessarily intend to do book reviews on this blog, but I was midway through writing this on my Tumblr and realised it perhaps has a better home here. I’ve just finished Out of Oz, you see, the fourth and final volume in The Wicked Years by Gregory Maguire. It completed the sequence well, I think, and I just wanted to make a quick summary of my thoughts while they were fresh.