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Wrapping up 2013

Hello again. Sorry the blog went quiet without warning. You know how it is, once you stop doing something, it becomes harder to start it up again. Plus, an awful lot of life seemed to be happening for a while there, so I didn’t really feel like doing much of anything. Still, cusp of a new year, so well worth clearing up the detritus of life since the last update, putting a bow round it, calling it a present, and then moving on to a more communicative 2013.

I last left you with two weeks to go before the first official Rebel Breed performance, and a vague promise to blog more and write more in general. Obviously, blogging more has not been a success. But what has been successful, you ask?

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Posterity

I’m averaging a post a post a month since this blog started in March 2012. That’s regular, right?

Some updates:

  • Come June I will be free of uni work, come July I will have graduated, and the adult world beckons. Erp.
  • Submitted various things I had hanging around to various places, will be on the lookout for more places to send and waiting on any of it popping back up.
  • Thanks to superhero comics, I’m ahead of schedule on my Goodreads target.
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Deadlines

Alice in Wonderland

I love deadlines. I like the whooshing sound they make as they fly by. –Douglas Adams

Many people love that quotation, and with good reason. I’m among the worst (or, perhaps, best) for putting off things I have to do until the last possible minute, working stupid hours to get stuff done, doing other things instead – even this blog post was started as a way to keep the fingers moving while I wasn’t doing work on my second ‘full-length’ script this fortnight, more on which later. (And only finished quite some time later.)

However, if I don’t have deadlines, things don’t get done. Case in point, Alice in Wonderland. I’ve had the idea for a promenade performance of the original text (or as close as possible) of Alice’s Adventures in Wonderland for well over a year. However, I did  no work on it until it became apparent a week before an opportunity (sadly a failed one) to pitch the idea that I needed to have a finished script in hand, rather than the planned couple of scenes. This meant, in the week of producing my friend Ivo de Jager’s brilliant play Sweetmeat (and also acting as assistant stage manager) I had to come home and rattle off at least a couple of scenes a night.

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Writer’s guilt

One thing I have a lot of trouble with is writing on any sort of schedule. The corollary of this is that I feel guilty when I don’t, which can serve to delay getting back on the horse even more. It’s been a long time since I last blogged, so I’ll fill in some of the gaps.

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Form and poetry

Happy November!

The plays I’m directing are going well. A little worrying they will be seen by a paying audience in just four weeks time, but we will persevere. It is, however, eating up all my available time, along with choir and suchlike.

Luckily, as part of my English degree I’m doing a module called Forms of Modern Poetry, which forces me to write a poem every week in different forms. We’re in a bit of an iambic rut at the moment, but that’s not a bad thing.

I wanted to do the course because I felt my poetry was getting a bit wooly, unfocused, and I wanted to develop some more skills to use. Plus, seeing poetry as exercise rather than art helps you produce more work, I find. We’re in a bit of an iambic rut at the moment, since that metre is used so much in poetry, but it’s good work.

In honour of Hallowe’en just passed, here’s a bit from Sleepy Hollow I wrote in couplets last week. Also, I’m putting in a poem I just wrote, a complete breather from the formal strictures I have been placed in, called Fishing.

Scene from The Legend of Sleepy Hollow

Then sudden out of misty night,
A Headless Horseman came to fight.
The spirit gave a fearsome cry
That told a man was soon to die.

A slash! The Horseman’s sword was keen.
It cut through midnight sharp and clean.
Ichabod ran, towards the stream,
Praying this was a frightful dream.

But no! The Horseman thundered to
That neck so bare, so fresh, so new.
Ichabod ran, ran for his soul,
For righteous corpses must be whole.

But then came silence. Yes, the sound
Of racing hooves upon the ground
Had stopped. He dared to look around.
The headless man could not be found.

Crane stumbled, fell upon his hand
Which broke his fall. He tried to stand.
The grass was wet. He almost slipped,
but managed it. His clothing dripped.

He looked around. The appatirion
Had ceased his unrelenting mission.
The river’s bank was empty, Crane
Free from the spirit’s foul campaign.

Fishing

They tell me
‘There are plenty more fish in the sea’
As I sit here on the dock
Line drawn, hook baited
Waiting
Still waiting for a bite.

Finally, here’s a link to a letter from Robert Heinlein, where he gives Theodore Sturgeon advice on overcoming writer’s block. It’s a good read. http://www.lettersofnote.com/2012/10/help-from-heinlein.html
More soon.
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Religion and World-building, and some updates

Keeping regular is difficult for me (no jokes please), so I’m just going to throw out the draft blog I mentioned last time as a few thoughts rather than something coherent. I may get back to the subject someday. Alongside it, I’ll update you on a few things.

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Summer

Summer has been spent mainly reading sci-fi for my dissertation. Not much writing has got done. Even my grammar is slipping, as the previous sentence shows. However, I’ve got a few updates and notes for you:

  • I have finally started the play I’ve been threatening since the inception of this blog, which will most likely be called Just a Kiss – now two scenes in. I am pleased, because I need to be able to say I’ve finished a playscript, and more importantly I want to get it out of my system so I can write a play about robots. Please therefore bug me on Twitter to get it done (I’m only planning to to seven scenes, so it can’t be too difficult).
  • I’m drafting a blog post about the use of religion in imaginative fiction, which is partly inspired by the 2/3rds of Dune by Frank Herbert that I’ve got though (I’ve decided to move on, I’ve lost a fortnight of time by not reading it. It is good, but heavy-going). It’ll go up when it goes up.
  • I’m directing an evening of one-act plays for LUTheatre, performing 29/30 November/1 December. The programme is two by Anton Chekov – A Marriage Proposal and The Bear – followed after the interval by Still Life by Noel Coward. More promotion and thoughts nearer the time, I suppose.
  • A quick plug for my good friend Nick Palmer’s Tornmile series. It’s a fantasy flash fiction serial, told from multiple perspectives. He posts a short yet hearty chunk every Monday over at http://nickpalmerwriter.com/ – we’re eight instalments in, so fill your boots.
  • Pretty much everything I have worth reading is now up on the site, so have a poke around on the pages  above to catch up with my writing so far. Anything new, I’ll post it on the blog so you don’t miss it.
  • Finally, speaking of new, I mean to finally do some writing for the ULSU’s newspaper The Ripple in my final year. I’m hoping to do some music journalism, but I’ve also submitted an extremely short story for the Arts and Creativity section. If it gets published, I’ll be here preening like a proud mother. But for now, for loyal readers of my blog, and as a reward for getting through the infodump, here it is. I hope you enjoy it. Thanks to Edward Spence for his advice – his site over at http://sovereignstudios.tumblr.com/ is well worth a perusal.

First Day

Laura waited in her bedroom until she stopped shaking. Her parents had left a while ago, but she was still sat in her chair, looking at the door. All the Freshers advice said to prop it open, so people would drop by and introduce themselves. Laura’s door was firmly shut. She was starting to think coming here was the stupidest idea ever.

She wasn’t cut out for university. She wasn’t smart enough – she only just scraped in on her General Studies grade. She had no idea what clothes she should be wearing, what music she should be listening to, what was cool and what wasn’t, and she felt like just some provincial kid from a nowhere town that had no business being in this city. She couldn’t call her friends back home – she’d be so embarrassed and ashamed of herself. They were busy anyway, gone to their own universities in other cities far away, making new friends, living it up, and forgetting all about Laura. She didn’t want to be here, she didn’t want to do her course, she didn’t want any of this any more. She had never been this scared in her entire life.

There was a quiet rap at the door. Laura froze. She got up very slowly, and walked over to the door. She opened it. A boy with messy hair was standing in the corridor. He smiled at her. Laura smiled back.

‘Hi.’