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Putting on a Show – Week Two: Q&A

Nando's and Nandon'ts at Proteus
Pictured (L-R): James Bloomfield, Olivia Deane, and Nicola Brown

So, a definitely-not-self-indulgent Q and A. I shall begin.

JAMES: So, Will – why me? Oh god, why me?

WILL:  Well, I’m not entirely sure. We hadn’t known each other too long when I approached you. You’d foolishly cast me in a play you were directing in 2012 and so I guess I’d got used to you shouting at me and telling me everything I did was wrong. I suppose I must have been impressed by your organisation, your creativity and your musicality. Especially this last point, because musically I am enthusiastic but without any skill whatsoever.

JAMES: See, I hear you don’t like musicals. (In fact, I have it on good authority you like nothing, save your drinks cabinet.) Why collaborate on a musical?

WILL: This is almost a lie! I protest! I don’t like some musicals, it’s true. Lloyd-Webber’s charm eludes me for instance. Les Misérables is a mystery. Rent I wouldn’t. But I love Sondheim, Gershwin, Bernstein. That sort of thing. Things with actual music.

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Putting on a Show – Week One: What and Why

The poster for the performance of Nando's and Nandon'ts: A Musical at The Y 'Emergency' night

As you may know, I have an ongoing collaboration with William Breden (@WinsomeVogon is one of the few places he concedes to being online). It is called Nando’s and Nandon’ts. To the right is a poster designed for its first public outing. Here, we begin an irregular series documenting our folly.

Here’s Will, with a summary of what the hell is going on:

It began with a dream.

A dream of chicken. And Les Misérables.

But mostly chicken.